JAMIE GREFE

I build hyper-real media systems at the threshold where cinema, strategic communications, AI-augmentation, desire, and attention economics converge.

My work moves between screenwriting, production, video editing, creative direction, AI video artistry, content strategy, and psychological operations — not as separate disciplines, but as one integrated field of perception design.

XENOSLIT PRACTICE

• • Develop AI-augmented media systems for cinematic worlds, companion experiences, vertical micro-dramas, adult/SFW character platforms, and experimental brand environments.
• • Build hyper-real visual identities through AI image generation, AI video artistry, custom LoRA development, prompt architecture, storyboard systems, and production-ready aesthetic direction.
• • Design content strategy and strategic communications frameworks that transform raw ideas into coherent worlds, campaigns, characters, offers, and audience-facing narratives.
• • Explore psychological operations, fetish systems, emotional persuasion, and attention economics as tools for understanding how people desire, watch, click, believe, remember, and return.

MEDIA DIRECTION

• • Direct, produce, write, edit, and package cinematic work across features, vertical micro-dramas, proof-of-concepts, fashion-film language, AI video tests, trailers, pitch materials, and commercial media.
• • Bring screenwriting, production, and video editing into one compressed creative system: concept, hook, image, rhythm, performance, structure, and final delivery.
• • Translate strange or difficult ideas into usable media forms: decks, landing pages, social content, scripts, visual systems, ads, reels, micro-series, and producer-facing packages.
• • Build work that feels immediate, tactile, cinematic, and algorithmically aware — media that understands both the nervous system and the feed.

STRATEGY / ATTENTION / DISTRIBUTION

• • Apply strategic communications and content strategy to help projects clarify their message, audience, positioning, voice, format, and conversion path.
• • Work across ad buying, media buying, SEO, affiliate strategy, display advertising, partnership development, and performance marketing environments.
• • Understand attention economics as both a commercial discipline and an artistic problem: how images seduce, how narratives trap, how hooks create motion, and how brands become emotional systems.
• • Shape media for the real conditions of 2026: AI acceleration, platform fatigue, vertical-native viewing, synthetic intimacy, audience fragmentation, and the constant war for perception.

IMMEDIATE CINEMA

• • Direct, produce, write, and perform in feature-length films distributed on Tubi and major AVOD platforms.
• • Maintain a one-day production model that compresses traditional filmmaking into intense, focused creation cycles.
• • Bridge cinematic language with generative AI tools to expand what film, performance, character, and image-making can become in the xenological era.

TECHNICAL / CREATIVE STACK

The slit is open. Work that matters happens at the threshold.
Los Angeles, 2026